Lagos in multiple DANCE mode.

Lagos are you ready for this?

There used to be arts festivals in Lagos but this year will be a different year with a different statement. Without being complex, this is simply called THE DANCE REVOLUTION.

We would like to inform you that ewaBAMIJO will be collaborating with TRUFESTA (a dance festival organised by Dayo Liadi - IJODEE), Dance Meet Danse festival (organised by the French Cultural Center) and WiAiA (in collaboration with SPARCK). 
All working hand in hand, so as to have a better and more successful Dance experience without loosing the aims and objectives of each festival.

PLEASE NOTE THE DATES.

26th of October through 1st of November.
Dance meet Danse festival 
27th till 31st of October.
ewaBAMIJO interdisciplinary arts Festival 
26th till 31st of October.
TRUFESTA International workshop with guest Choreographers/Dance Teachers
Ist to 3rd of November 
ewaBAMIJO writers' forum (WiAiA in collaboration with SPARCK. South Africa)
1st till 8th of November.
TRUFESTA festival 

All these are happening in Lagos almost at the same time so its the best time to be in Lagos.

For those who are traveling into Lagos. It is highly advisable to book your flight tickets ahead of time, you should figure out the best comfortable option for you to travel with, you have all the dates above and for the hotels, as soon as we get your request for participation, we shall let you know the options on ground.
For further details send us an email on info@ewabamijo.com

NB: The doors are still opened for volunteers.

Thanks for joining in this journey.

Regards. 

Yk Projects.
+2348055276317
www.ewabamijo.com

ewaBAMIJO : CALL FOR PROPOSALS AND SUBMISSION OF NEW/EXISTING WORKS

WHO WE ARE.
Yk Projects is a small scale organisation, legally registered and operates between Nigeria and France as an Artistic entity, it constantly re-unites new generation artists from different sectors of the art, for the execution and dissemination of artistic and socio-cultural projects, all with the intentions of creating an alternative landscape for the local audience to be aware of the arts through out door performances, new media and publications.
Yk Projects has left her imprint in the subconscious of many around the globe, getting more involved in the contemporary dance and circus art discourse in Africa, Europe and America at large, through stage performances, street happenings, archives of dance related materials, documentary films, articles, blogging, workshops and participation in big festivals and conferences.

ACTIVITIES
Our main activities include creations and performances (Mainly Dance, New circus art and Street arts with the fusion of other media), Coverage and documentation of art related profiles for media and archival purposes, event organizations such as ewaBAMIJO, public jams, workshops and conferences.

ewaBAMIJO.

ewaBAMIJO is a bi-annual festival for interdisciplinary arts, specially dedicated to infecting the city of Lagos and establishing relationships through DANCE, CIRCUS, COMEDY, MUSIC, DANCE DRAMA, SPOKEN WORD, PERFORMANCE ART and other interdisciplinary art forms, under one dance umbrella, that brings about conferences, debates, film screening and performances. EBJ 2009 will hold from 27th to 31st October 2009.

Since 2005 Yk Projects organised EBJ locally in Lagos, with the aim of expanding and merging the dance frontiers with other local artistes. In 2005 and 2006, EBJ was organised as a one-day event that gathered artistes of different genres, amongst which are dancers, musicians, comedians, poets, actors and journalists, to come under one dance umbrella, as means of enforcing our collecting impact on the society. EBJ will later become a bi-annual and international event from 2009, but still dedicated to local development.

CALL FOR PROPOSALS.
The Self Imagining of EBJ is an étude in negation. Neither global nor local; Neither Western nor African; Neither mainstream nor independent, Neither tourist spectacle nor high art. Not multiculturalism; Not tribalism; Not showcase of new stars; Not competition for superiority; Not a patriotic celebration of our heroes and wins... With this edition, we call for the renovation of the practices and theoretical interface of contemporary art around the world, to depart from its all pervasive socio-political discourse and fantasies, but work together with other kind of artists, scholars, students, critics and our audience, to discover new modes of thinking and develop new analytical tools for dealing with the arts world under our circumstances, and bring attention to the 'limits of globalisation'.

ewaBAMIJO has several components that revolve around this year’s theme:

1. New/Existing Works.
2. Commissioned Works.
3. Invited Works (strictly by invitation).

We are inviting interested Artistes from all over Nigeria to apply to participate in the New/Existing Works and/or with a Commissioned Work.

NEW/EXISTING WORKS.
For the 2009 edition of ewaBAMIJO, we wish to present original boundary-breaking, cutting edge, socially-engaged performance works to people from all walks of life, including the media, and provide a platform for Dancers, Actors, Musicians, Comedians, Poets, Circus artistes, Performance artists as well as Spoken word artists, to collaborate with others from different backgrounds and disciplines in making innovative, provocative, thought-provoking, non-commercial performance works; We are particularly, though not exclusively, interested in collaborative interdisciplinary works that reunites two or more artistic expressions. Please note that we do not accept works less than 15 minutes or more than 30 minutes.

COMMISSIONED WORKS.
We are also calling for proposals for new performance works. Site-specific works that could be performed in public and non conventional spaces. We are not looking for ‘plays’ or specific 'dance pieces' in this context, but Performance art pieces, performance installations, public space acts, improvisations, road shows etc. made by interesting collaborative teams or individuals will attract our interest.

If this project appeals to you please apply with a detailed proposal indicating which component you wish to apply for, outlining the form and the content of the piece, the creative team, the type of venue and size of performance. Technical details if necessary, C.Vs, clear photographs of the creative team or one that represents the piece should be included, an audio or video sample of your work would be advantageous. Your proposal must be clear and convincing. Proposals should be submitted online through proposals@ewabamijo.com, and it MUST reach us latest by 10th of August 2009.

Only selected works shall be contacted before 15th of September 2009. Selected participants should be ready to collaborate with other disciplines. The creative team of ewaBAMIJO might find different proposals from two or more distinct artists, propositional to merge ideas, e.g A dance piece with a poet, a musician with a dancer... but no decision shall be taken without your consent.

We look forward to hearing from you.

Regards.

Qudus ONIKEKU
Artistic Director and Project coordinator
ewaBAMIJO

CURATORIAL NOTE on EBJ

CURATORIAL NOTE for the1st edition of the Biennial.


HOME and ABROAD.

For the curatorial discourse of this 2009 edition of ewaBAMIJO, we propose "HOME and ABROAD" as the theoretical basis from which we hope to explore our critical vision. under the Artistic direction of Qudus ONIKEKU.

Context and Rationale:

Contemporary dance in Africa has struggled for a while to overcome problems like accessibility by local audience, finance and lack of Infrastructures, power and lacks critically in legislation. Dance-forms other than traditional dances in contemporary Africa, are very similar to all imported or foreign activities in the society at large, reserved particularly for the expatriates and the elite class, it is obviously there present in the society but it has been suspending and surviving in a sort of extinction, never had the ability to come to rest and be integrated in the society we operate. Moreover, there is only a thin line between the artiste and his society, paradoxically we get fame and gain grounds outside our primary society, and all these is as a result of the standards and circumstances at which we operate our art "HOME and ABROAD."

We are convinced that the notion of HOME for many artist of the 21st century varies, it could be only but, a series of thoughts, images and sensations - a CONCEPT - a cherished aspiration, ambition and ideal, it perhaps exist only in our self/deluding fantasy - Not in real-time. Maybe this earth is an eternal ABROAD after all, and so said Faustine Linyekula 'Maybe my only county is my body', but on what basis does our art excel at 'home'? The art market or its practice? Our proposition of "HOME and ABROAD" as the theme for this first international edition of ewaBAMIJO, is not a denial of the existence, importance and rewards of this intellectual tradition; but in many ways to further seek a place for the entrenchment of cultural and racial, economic and other fundamental differences under the machinery of globalisation.

Reality has proved to us that, due to our lack of infrastructure and audiences structure, many African creators make their works ready mostly for exportation in order to survive as artistes, not only for economic balance, but for their sanity and survival of their creativity, productivity, and pride in the companies they run, this irreproachable trend also have a reverse effect on our primary society. As we have seen in the recent past that a higher percentage of African audience has practically lost interest of live arts to showbiz and home movies, The basic interest of this initiation is primarily to review our basis and bring back attention to the Theatre. We believe that at this present point of our encounters, after many decades of pre|post colonial exchanges and several hand shakes with the world, it is high time we became focused on internal issues. More so, as we live in a new media world saturated with technological advancement, coupled with our vast resource of indigenous professionals, we only need to appropriate all these ready made elements as our own means and apparatus, as well as using maximized effort to sculpt our art face and divert some sluggish energy into a steady and positive change reaction.

A moment of reflection around DANCE in contemporary African...

History itself is shaped and written in bias towards the present day reality, and slightly directed to favour the orientation at which the future is dreamt of by the powerful, and so as contemporary dance in Africa, America and Europe and elsewhere where 'political correctness' matter, the ideals and the writings of contemporary dance on a global world-view has enriched itself on the inevitable notion of identity, race, gender and class. Far from identifying the contemporaneity of our dance in Africa or branding it for that matter, but approaching it from a viewpoint which doesn't ignore the state of affairs of our collective economic, social, political and cultural reality as a people. In the era of post colonialism, post modernism and post world war II, other art forms had exercised continuous revolutionary concepts that transformed into leading discourses guarded by 'political correctness'. As 'African' dance practitioners, it is inevitable to disregard the question of identity, color and other baggage of history, due to the direct exposure of our naked bodies and the visible twist of cultural expressions, which has in turn triggered a series of resistance in the part of traveling dance practitioners, as against exoticism and second class validation, if not third. However, this construction and continuous resistance have also adversely developed an institutionalised pluralistic landscape that has today turned into a combative affirmation of an ideology, and unfortunately a new form of stereotyping.

For some years, major international organisations and parastatals around the world, have worked towards building up 'discursive platform for a cacophony of African voices' outside Africa, and emphasizing 'correctness' in cultural politics; these have of course created more talks that hinder actions, it has stated more obvious problems than proposing solutions, but unconsciously succeeded to the neglect of the core existence of the young and alternative artist's project in the continent, creating further fiesta of the ex-colony and the ex-colonised, an independent pursuit of illusive relationship through artistic endeavors. Fundamental problems transformed into cocktails and social rendezvous of the dominant sect, through which the new order is defined to create restriction for liberal artistic expressions. In this first edition of EBJ we wish to draw attention to the 'political (in)correctness' of traditional trends which led to the dominative power play of multiculturalism, globalisation, identity politics and post-colonial discourse. Urgent issues facing contemporary dance today, that we wish to make a scandal of is; How do we establish an 'ethics of difference and mutual respect' within the framework of dissimilarities in cultural production and functionality? Is DANCE in contemporary Africa: An imported household branding or a local craft for export? How do we prevent 'Hegemony' without sacrificing the grounds already gained against the power status quo at Home and Abroad? By Re/Moving boundaries, are we certain of creating larger territory for dreams?

Core principles of the EBJ biennial: Negations

Africa has been told and shown constantly through western eyes, and in funny way we end up seeing ourselves through western judgment. To trail the proposition of the 3rd GUANGZHUO Triennial, ewaBAMIJO may be as well understood as a locus of questions for the international art world, boom time of fresh breeds hailing from cities yet to come around the world, as history has been written based on the intuition of a few and rules always made for us to follow, we have the conviction that there are lots of lies in history and we are set to deny everything regarded as 'truth' to lead the way for our discovery, the existence of this Biennial will be a process of discovery for ourselves; not just the fulfilling of preconceived ideas. Instead of claiming what this Biennial 'is', we wish to find out what it should not be.

The Self Imagining of ewaBAMIJO is an Ètude in Negation ...

Neither global nor local; Neither Western nor African; Neither mainstream nor independent, Neither tourist spectacle nor high art. Not multiculturalism; Not tribalism; Not post-colonialism; Not identity politics; Not sociological report; Not alternative modernity; Not showcase of new stars; Not competition for superiority; Not a celebration of our heroes and wins, Not further affirmation of all possible swear words, such as **gritudism... By saying 'Home and Abroad' we call for the renovation of the practices and theoretical interface of contemporary dance around the world, to depart from its all pervasive socio-political discourse, but work together with other kind of artists, scholars, students, critics and our audience, to discover new modes of thinking and develop new analytical tools for dealing with today's world, and bring attention to the 'limits of globalisation'.

----------------------------------------------

Yk Projects.
info@ewabamijo.com
+2348055276317

Latest on ebj

If you've been wondering what's next on EBJ. the media campaign took us round the doorsteps of the following confirmed EBJ Dance Ambassadors:

Dr Ahmed Yerima,
Ambassador Segun Olusola
Tunde Kilani
Jimmy Jatt
Peter Badejo (OBE)
ASA
and Nomoreloss.

On the other side of the Mediterranean sea, Qudus Onikeku, the EBJ Dance guru himself, held Paris in hostage and he is set to take the gospel of EBJ round Sao Paolo, Belo Horizonte (Brazil), Buenos Aires (Argentina), Bogota (Colombia), Maine and New York (USA). With the aim of creating new and lasting relationship with other territories other than our familiar acquaintances in Europe.

See this for yourself and share the word.
http://www.facebook.com/video/video.php?v=93707865876&ref=mf...

EBJ will be kicking off with its strategic international relation and mobilisation in Sao Paolo, Brazil on the 8th of June 2009, hosted by the Matilha Cultural; http://matilhacultural.com.br/. It will be followed by a cinema screening of our documentary film "Do we need cola cola to dance" and a Non conventional space performance on the 13th of June 2009...

Followed by a second Showing in New York on the 25th of July 2009, also followed by a studio screening of "Do we need cola cola to dance" and a solo Performance hosted by the Dance Theatre Workshop. New York. http://www.dancetheaterworkshop.org/

A third showing will be during a residency at the Bates Festival between 19th of July - 9th of August 2009, with a cinema screening of "Do we need cola cola to dance" and two solo Performances on 6th and 7th of August 2009, during the "Different Voices" Hosted by the bates Dance Festival in Portland Maine. http://abacus.bates.edu/dancefest/performcalendar.php

----------------------------------------------------
Watch out for more intriguing update on the journey to EBJ 2009. Before then, HOW MANY PEOPLE HAVE YOU INVITED TO JOIN THE GROUP ? Its not enough to support by sending us email and wishing us success, no one can clap with one hand, it will be appreciated if you can go to the group page and click on the Invite people to get all your friends list to join the train, that will not cost so much and also join the discussion board to let's hear your views...

LATEST ON THE DISCUSSION BOARD;

is DANCE a Sport?

Following a long argument in an online forum, whether DANCE is a sport or not, i found it interesting as a topic to discuss, i have curled two significant point made by two distinct persons, one for and the other against such notion

Brittiny Catalano stated that
"1) Dancers are physically fit and need conditioning. they work extremely hard and train till they cant walk anymore and then continue on...
Visit http://www.facebook.com/topic.php?uid=51419822397&topic=9287 to let your voice be heard.

Yk Projects. Nigeria
+2348055276317
info@ewabamijo.com

Redesigning Lagos Nigeria

Join the EBJ CAMPAIGN train !

Hello Good People of this great World.

As WE move ahead with our never ending aspiration, Ewa Bami Jo is improving from day to day, our list of partners, sponsors and interested individual is getting longer by the day. Also in that line we keep building on the concept of the festival.

As part of our strategies to achieve our objectives: We've put in place the EBJ ONE MINUTE media campaign, which kicks off two months prior the festival, where we engage various celebrities and public figures telling us “What dance means to them...”and this will be proffered with a high sense of esteem and professionalism, and well broadcast nationwide, it is our own way of getting the public aware of such existence though such endorsement.

We have as well began EBJ mobilisation of a minimum of 100 students of performing arts in all the three major universities in Lagos to adhere to the festival as volunteers, to host the over 500 students and scholars coming from other parts of the country, as well as over 300 participants coming in from outside the country, giving them the possibility of getting closer to either professionals of their chosen career or fellow arts students coming in from other parts of the country, this we believe will in a way create relationships, and at the same time, give them a sense of ownership of the festival to certain level.

So this is where we feel the need to begin a concrete relationship with our adherents on facebook. Ewa Bami Jo is an event specially dedicated to throwing glitz and glamour on the city of Lagos through DANCE, CIRCUS, COMEDY, MUSIC, DRAMA, SPOKEN WORD and other interdisciplinary art forms. It operates under the auspices of a NON PROFIT organisation. Thus, we seek volunteers from every part of the world, and the objectives laid down for our volunteers are pretty simple.

PRE-EBJ VOLUNTEERS -

*SPREAD THE WORD ON FACEBOOK, MYSPACE, TWITTER, HI5 OR ANY FORUM YOU ARE ON.
*INVITE ALL YOUR FRIENDS ON FACEBOOK TO JOIN THE GROUP
*TAG YOURSELF IN ANY OF THE EBJ PHOTOS ON THE GROUP AND USE THEM AS YOUR PROFILE PIX.
*GIVE SUGGESTIONS AND BE PART OF DISCUSSIONS ON THE GROUP.
VISIT THE GROUP AT LEAST ONCE IN A WEEK FOR UPDATES.

EBJ VOLUNTEERS - FOR THE EBJ PROPER.

AS PART OF OUR STRATEGIES OF CREATING A WHOLE NEW IMAGE OF WHO LAGOSIANS ARE TO OUR INVITED GUESTS AND WHAT LAGOS IS ALL ABOUT.

*WE NEED GOOD PEOPLE WHO LIVE IN LAGOS AND CAN VOLUNTEER, TO ACCOMMODATE ONE OR TWO PEOPLE COMING IN FROM OTHER PARTS OF THE COUNTRY OR OTHER PARTS OF THE WORLD.
*WE NEED GOOD LOOKING PEOPLE TO HOST OUR INVITED GUEST FROM ALL AROUND THE WORLD DURING THE ENTIRE PERIOD OF THE FESTIVAL.
*WE NEED GOOD PEOPLE WHO WILL BE IN CHARGE OF THE FESTIVAL KITCHEN THAT WE SHALL BE MOUNTING.
*WE NEED VOLUNTEERS TO BE AT OUR TICKET SALES OUTLETS AROUND LAGOS.
*WE NEED USHERS AND GATE KEEPERS DURING THE INDOOR EVENTS.
*AND FINALLY WE NEED TO CREATE A FESTIVE MOOD.

BENEFIT FOR VOLUNTEERS -

WE ARE VERY MUCH AWARE OF THE FACT THAT, NO AMOUNT PAID TO OUR VOLUNTEERS WILL BE ENOUGH TO SAY THANK YOU, AND AS WE ALSO INITIATE SUCH IDEA BASED ON A SOCIAL RESPONSIBILITY, WE CAN ONLY RECIPROCATE BY SHOWING KIND GESTURES.

*EVERY VOLUNTEER THAT TAKE PART IN MAKING THIS FIRST INTERNATIONAL EDITION OF EBJ A SUCCESS, GETS HIM OR HERSELF A FREE TICKET TO ALL INDOOR EVENTS, AN EBJ TSHIRT, HAVE THE OPPORTUNITY TO HAVE FURTHER INSIGHT TO THE PERFORMING ART WORLD AND GETTING CLOSER TO PRACTITIONERS. FINALLY WE ARE DEDICATING THE CENTER SPREAD OF OUR MIND-BLOWING PROGRAM OF EVENT TO ALL THE NAMES OF OUR VOLUNTEERS, NO MATTER HOW MUCH THEY ARE, WHICH ALSO WIN THEM A COPY EACH, AND THIS WILL BE DESIGNED IN COLLABORATION WITH SWITCHEDON MAGAZINE.

FOR ANTICIPATING VOLUNTEERS PLS DROP YOUR CONTACTS AND A BRIEF OF YOU INYKPROJECTSNG@GMAIL.COM. OR ONIKEKU@YKPROJECTS.COM. YOU CAN AS WELL LET YOUR INTENTION KNOWN ON THIS POST AND WE SHALL GET IN TOUCH WITH YOU FOR MORE BRIEFS.

LET'S THROW LIGHT ON THE CITY OF LAGOS. AND SHOW TO THE WORLD THAT THERE ARE SHORT-CUTS TO HAPPINESS.

BEST REGARDS.

Qudus ONIKEKU.
Artistic Director
Ewa Bami Jo.

Yk in brief...

Young kings Projects (Yk Projects) has practically been in existence since 2004, initially registered as a performing company in Nigeria, but due to the lack of appreciation of the arts and the disdain which tend to subject young artistes to a hostile environment, informed the coming together of a collaborative youth force, that operates between Nigeria and France as a not-for-profit company, it constantly re-unites new generation artists with legs in different sectors of the arts, amongst which are performing artistes, visual artistes and writers, for the execution and dissemination of artistic and socio-political projects, all with the intentions of creating an alternative landscape for the local audience to be aware of the art by projecting contemporary arts through outside performances, media and publications, thereby creating a conducive environment for their existence at home, and opening Nigeria to the realities of contemporary arts in other parts of the world.

The main Activities of the Organization includes;

• Creations and performances (Mainly Dance, New circus art and Street arts with the fusion of other media)
  
• Coverage and documentation of art related profiles, for media and archival purposes.
  
• Event Organizations (such as Ewa Bami'jo, public jams, workshops and conferences).
  

while we base our main source of income on Fund raising, Performances and income from existing projects.

Yk Projects has left her imprint in the subconscious of many across the globe, getting more involved in the contemporary dance and circus art discourse in Africa, Europe and America at large, through stage performances, street happenings, archives of dance related materials, her documentary film, articles, blogs, workshops and participation in big festivals and conferences.

• In 2004 two young artiste were in Mali to participate in a two week workshop with Kettly Noel and Augusto Cuvilas representing the organisation
• Since 2005 we organised Ewa Bami’jo locally in Lagos, which literarily translates to COME DANCE WITH ME, An event that will later become a bi-annual and international event from 2009.
• In 2006 we participated in the 8th edition of FITHEB Festival in Cotonou, was invited to be part of the 6th African and Indian ocean choreographic encounters in Paris, also performed during the 1st Africa, Caribbean and Pacific festival in Santo Domingo and participated in a two day conference on Culture Wealth and economic development MAINTENANT L’AFRIQUE! in Paris.
• In 2007 the organisation executes a research project and happenings in non-conventional spaces titled Do we need cola-cola to dance? As part of the struggles for sustainable development and inspiring young artists to dream using alternative measures and enlarging our spaces of dream. It toured round Nigeria, Egypt, South Africa, Mozambique, Kenya and Cameroon.
• In 2008, Yk Projects carries on with the realisation of a documentary film (Do we need cola-cola to dance?) that follows our 2007 research project. A work-in-progress seires of Do we need cola cola to dance? Has been screened in Lagos, Kinshasa, Massachusetts and Chicago
• Presently Yk Projects has moved on with the execution of a workshop series concept titled “Collection of those things that burn in us” whose series I was carried out in Lagos. Nigeria. April 2008, series II, in Massachusetts. USA. June 2008 and Series III, in Kinshasa. DR Congo. July/August 2008.
• In 2009, Yk Projects was part of an online festival 24hours24Artist, a webcast of 24 artistes from around the globe, an initiation of Jumpstart performance co. Texas.